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"He did not want to be a celebrity. You know, [the late director] Tony Scott worked on Barry Lyndon. He was in art school at the time. Tony told me that he wrote down the exact longitude and latitude of where Stanley wanted the camera, the exact height of the camera, and the time, to get the shot that Stanley wanted. Tony said he sat there for a couple of weeks trying to get the right light. Stanley really loved the Scott brothers. I’ve had long conversations about this with both Tony and Ridley. Stanley was a director who did not let people borrow or rent his lens. He never gave his Apollo lens to anyone. But when Ridley was having a really difficult time with the end of Blade Runner [1982], Stanley gave Ridley footage that he had shot but didn’t use for the opening of The Shining. He was offering to let him use it for Blade Runner. That’s how highly Stanley thought of them."

Source: kubrickisgod
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nightspeech:

NEVERENDING STORY (1984)

Dark as they come. 

Source: nightspeech
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rhetthammersmith:

Dog cloud over Manhattan . August 17, 2014 . No photoshop trickery involved.

Source: rhetthammersmith
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bryanbarnesart:

Vincent Gallo in ”Buffalo 66,” 1998

bryanbarnesart:

Vincent Gallo in ”Buffalo 66,” 1998

(via heyyoshimi)

Source: bryanbarnesart
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ptyranny:

“The whole world is a horrible place and it will hurt your feelings.”

(via digitalversatiledoom)

Source: ptyranny
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